Missa's smart tracker finds the magazines, grants, residencies, and festivals that actually fit your work, and puts the deadlines straight on your calendar.
Run the whole call right where creatives are already finding opportunities, without enterprise pricing.
Set up your first call →For four hundred years, the wait for a reply has looked exactly like this. You send the work. You keep a record. You check the mail. Somewhere between the eleven magazines, the three grants, and the spreadsheet you're afraid to open, the record of your own work stops being yours.
Missa read the reply and updated the row. You did nothing.
Missa learns each market's rhythm from thousands of tracked replies, so you know whether the silence is normal or worth a follow-up.
Missa rechecks the source page of every call you've saved, and tells you the moment a deadline, fee, or eligibility rule changes, with the receipt to prove it.
Real submissions aren't accept-or-reject. One poem is taken, one is held, one you withdrew last week. Missa tracks the fate of every piece inside every packet, without you losing the thread on any of them.
Poetry packet to North River Review. One yes is all it takes.
I found out I was accepted from Missa before I found the email. It had already updated the packet and flagged that the other four magazines still had the poem.
Eleven years of submissions lived in a spreadsheet I was afraid to open. Missa imported all 148 rows in under a minute. It felt like getting my own career back.
You'll never pay to track your own work, see your own history, or find out you were accepted. Your tracker is private. No organization sees where else you've submitted, ever.
Organizations pay to run their open calls on Missa. You are the network, not the product. Everything you put in, you can export and take with you.
Import your spreadsheet, forward one email, or just start browsing. Your calendar fills in from there.