AC|DC — A Journal for the Bent positions itself as a venue for writing that resists easy categorization. The journal's title signals a curatorial interest in work that is 'bent'—whether in syntax, narrative structure, or the lived realities it depicts. While the masthead and editorial statement are not provided in the verified facts, the journal's name and genre scope suggest a commitment to literature that deviates from conventional expectations, making it a natural home for writers whose work challenges normative aesthetics or subject matter. As a literary magazine, AC|DC operates within the tradition of independent journals that prioritize artistic risk over marketability. The rolling deadline indicates an ongoing openness to submissions, allowing writers to submit when their work is ready rather than according to a fixed calendar. This model, common among university-affiliated and independent reviews, often results in a diverse and timely mix of voices. The absence of a listed fee or prize does not diminish the value of publication; for many writers, placement in a journal with a distinct editorial identity is its own reward, offering visibility among readers who seek out nonconformist work. The curatorial vision, inferred from the journal's name and genre focus, appears to favor writing that is formally inventive, emotionally unguarded, or thematically transgressive. 'Bent' may refer to queerness, to narrative deviation, to linguistic play, or to any perspective that refuses the straight and narrow. Writers should consider how their work bends—whether through hybrid forms, unconventional voices, or subjects that resist easy resolution. The journal's rolling submissions suggest an editorial team that reads continuously, looking for work that surprises and unsettles in equal measure.