This open call invites cabaret performers to submit audition material through a general online form. The opportunity is discipline-specific, rooted in cabaret and theatre traditions, and carries no stated fee, prize, or location beyond the United States. As a general submission form, it functions as a standing invitation rather than a themed commission or festival cycle, which places the burden of self-definition on the applicant: the form does not prescribe a curatorial frame, so the material itself must establish the performer's voice, craft, and point of view. Because the call is administered through a form rather than a named venue or producer, the institutional context is deliberately open. This is not a residency, a grant, or a competition with a published purse; it is a submission channel. Artists should read that openness accurately. The absence of a fee and prize means the value of the opportunity lies in whatever selection process follows, which is not detailed in the provided facts. Applicants should therefore treat the form as a first filter and submit material that stands on its own, without relying on external framing to explain its significance. The curatorial vision, insofar as it can be inferred, is one of breadth within a specific tradition: cabaret as a live, authored, often interdisciplinary form. The call does not restrict genre beyond cabaret and theatre, which suggests an interest in work that understands both the intimacy of the cabaret stage and the dramaturgical intelligence of theatre. Performers working at that intersection—song, monologue, character, movement, or hybrid forms—are the natural constituency.