Pergola Literary Magazine positions itself as a venue for both written and visual work, seeking to foster a dialogue between text and image. The magazine's open call encompasses poetry, flash fiction, creative nonfiction, short fiction, and visual art, suggesting a curatorial interest in the interplay of language and visual culture. By accepting up to three poems, flash fiction under 1,000 words, longer prose of 1,000 to 5,000 words, and up to three high-resolution visual pieces, Pergola accommodates a range of forms and lengths, from the epigrammatic to the expansive. The magazine operates without a submission fee, aligning with a commitment to accessibility and equitable consideration of all voices. While no monetary prize is offered, publication in Pergola provides a platform for writers and artists to reach a discerning readership. The absence of a fee and the broad category definitions indicate an inclusive editorial stance, one that values the quality of the work over credentials or prior publication history. The curatorial vision appears to be one of juxtaposition and conversation: placing visual art alongside literary texts, and inviting contributors to consider how images and words might inform one another. The magazine's name, 'Pergola,' evokes a structure that supports growth and provides a frame through which to view the world—a fitting metaphor for an outlet that seeks to cultivate and present new work in a considered context.