Call Me operates as a magazine and platform with an open call that is deliberately expansive in its material scope. The invitation extends to pictures, photos, digital art, illustrations, cyanotypes, wood carvings, stone etchings, and, in their words, 'anything you can conjure.' This is not a medium-specific juried exhibition but a gathering of visual work that prioritizes the act of making over adherence to a single discipline. The absence of a fee and the online format suggest an accessible, perhaps experimental, editorial project rather than a traditional gallery or institutional showcase. For the artist, the opportunity is one of visibility within Call Me's editorial framework. There is no cash prize or physical exhibition indicated; the reward is inclusion in a curated selection of submitted work. The platform's decision to accept submissions only as PDF, Word document, or JPEG—and its explicit refusal to open links—signals a preference for direct, self-contained files. This is a practical constraint that places the burden of presentation on the artist's ability to document and format their work clearly. The curatorial vision, as implied by the call, leans toward inclusivity and material curiosity. By listing both traditional and unconventional media, Call Me positions itself as a space where the boundaries between fine art, craft, and digital practice are porous. Artists working in any visual medium are encouraged to submit, provided they can translate their work into a flat file. The lack of a stated theme or juror biography further suggests that the selection will be driven by the strength of the individual submissions rather than a predefined curatorial thesis.