Sight and Sound, the British Film Institute's long-standing journal of record, maintains a section called 'Wider Screen' dedicated to the marginal, the forgotten, and the formally adventurous. This is not a venue for reviews of current releases or broad surveys; it is a miscellany for work that resists the standard canon. The editors explicitly seek writing on silent cinema, artists' moving-image practices, thematic explorations of neglected corners of film culture, and career tributes to figures whose contributions have been sidelined or unjustly forgotten. The scope is global and historical, with an emphasis on discovery and resurrection. The call operates on a rolling basis, with no submission fee. Accepted pitches are commissioned for either print or online, and the magazine pays £120 per 1,000 words. There is no prize or competition structure; this is a standard editorial commissioning process. The absence of a deadline means that writers can develop ideas at their own pace, but it also demands that pitches be fully formed and rigorously researched, since they are competing against a continuous stream of submissions. The curatorial vision is one of deliberate eclecticism. 'Wider Screen' is not a themed issue or a special series; it is a standing invitation to bring forward work that might otherwise remain invisible. The editors are looking for genuine expertise and a clear argument, not merely enthusiasm for an obscure title. The section's stated commitment to diversity, discovery, and resurrection suggests that pitches which recover lost histories or reframe known ones from unexpected angles will find a receptive audience.