Odessa Collective's online zine has refined its focus to poetry exclusively, ceasing consideration of fiction, creative nonfiction, photography, and visual art. This narrowing signals a deliberate curatorial commitment to the poetic form, allowing the editors to engage deeply with a single discipline. The platform offers publication under a given name or pseudonym, accommodating writers who maintain distinct public and private identities. Simultaneous submissions are welcomed, though the collective requires first serial rights for all work accepted after February 2023, a standard that aligns with contemporary digital publishing practices. The absence of a submission fee removes economic barriers, positioning Odessa as an accessible venue for poets at various stages of their careers. While no monetary prize is offered, the value lies in publication within a focused online space that prioritizes the poem itself over ancillary media. The editors' request to be notified of acceptance elsewhere reflects a professional courtesy that respects both the poet's options and the collective's editorial planning. This is not a contest but a curated magazine, and the distinction matters: the reward is readership, not ranking. In an era of sprawling multimedia journals, Odessa's decision to concentrate solely on poetry is an editorial stance. It suggests a readership that values linguistic precision, compression, and the music of language without visual accompaniment. Poets should consider how their work functions in a digital reading environment, where attention is both fleeting and intense. The collective's openness to pseudonyms further indicates an awareness of the varied ways poets choose to present themselves, making the zine a potential home for work that might not fit more conventional bylines.