The Shangyuan Art Museum, a significant institution in China's contemporary art landscape, offers a residency that spans two distinct cultural and geographic terrains: the mountainous region of Huangshan and the porcelain capital of Jingdezhen. This dual-site structure provides residents with an immersive experience that bridges landscape and craft, tradition and experimentation. The residency is designed to foster cross-disciplinary dialogue, as evidenced by its open call to both painters and dancers—a pairing that suggests a curatorial interest in the intersection of visual art and movement, stillness and gesture. While the specific terms of the residency—such as duration, stipend, and facilities—are not detailed in the available information, the museum's established reputation implies a serious, production-oriented environment. Artists selected can expect to engage with the rich material histories of these locations: Huangshan's iconic scenery, which has inspired centuries of ink painting, and Jingdezhen's enduring legacy as a center for ceramic innovation. The residency likely provides studio space and accommodation, though applicants should verify these details directly with the organization. The curatorial vision appears to prioritize process and site-responsiveness, encouraging artists to develop work that is in dialogue with the surrounding environment and local craft traditions. This is not a retreat for isolation but an opportunity for embedded practice, where the rhythms of place and community inform the creation of new work. The inclusion of dance alongside painting hints at a broader interest in embodied practices and the performative potential of visual art.