Inframince Journal is a nascent online magazine positioning itself at the intersection of dramatic literature and experimental writing. For its inaugural issue, the editors have chosen the theme of Fragmentation—a concept that resists singular definition and invites interrogation of form, narrative, and meaning. The journal seeks work that engages with the fissures, disjunctions, and asynchronous movements that fragmentation implies, whether through fractured narratives, hybrid structures, or oblique transformations. This is not a call for work that merely thematizes brokenness, but for writing that enacts fragmentation as a compositional principle. As a founding issue, this opportunity carries the weight of establishing a journal's aesthetic and intellectual contours. The editors are explicit in their desire for plural interpretations: fragmentation as rupture, as concealment, as fractal multiplicity. They welcome experimentation and are open to where it leads, suggesting a curatorial stance that values risk and inquiry over polish or conventional dramaturgy. The absence of a submission fee and the online, remote nature of the publication lower barriers to entry, making this a genuinely accessible venue for writers at various stages of their careers. What artists receive is publication in a new journal that is actively shaping its identity. There is no monetary prize, but the value lies in contributing to a conversation that the editors are framing as both timely and timeless—fragmentation as a condition of contemporary experience and as a perennial artistic concern. The journal's name, Inframince, borrowed from Marcel Duchamp's concept of the infinitesimally small difference, suggests an attention to nuance and the almost imperceptible. This is a venue for work that operates in the gaps, the intervals, the barely-there transitions that nonetheless alter everything.