Polyphony Lit., a literary magazine dedicated to publishing and mentoring young writers, has issued a call for its Latin Heritage Contest, open to submitters of Latino/a/e background. The contest is framed by the theme 'Repeating History,' a provocation that draws on Mesoamerican conceptions of cyclical time—where worlds are created, destroyed, and reborn in succession—and on literary precedents such as Gabriel García Márquez's One Hundred Years of Solitude, in which generations repeat the errors of their forebears while believing themselves free of the past. The thematic territory is thus both mythic and intimate: contributors are asked to consider how history recurs, how it shapes individual choices, and how inherited patterns of thought and behavior persist. The contest operates without a submission fee, a deliberate gesture toward accessibility for writers who may be navigating the often costly landscape of literary competitions. While the prize structure is not specified in the available materials, the contest's affiliation with Polyphony Lit. situates it within a magazine committed to cultivating emerging voices and to the editorial care that such work demands. The theme is not merely decorative; it invites structurally ambitious poems—work that can hold contradiction, recursion, and the weight of ancestral time. For the discerning poet, this call represents an opportunity to place work within a lineage of Latin American and Latino/a/e letters without being reduced to it. The contest asks for poems that think seriously about temporality, inheritance, and repetition, and it does so under the auspices of a publication that takes young and emerging writers seriously. The absence of a fee and the specificity of the theme suggest a curatorial vision rooted in cultural memory rather than marketability.