Pottery Farm Gallery has announced an open call for a residency that positions dance within the context of craft and ceramics. While the gallery's name suggests a material focus, the inclusion of dance signals an interdisciplinary curatorial interest in embodied practice and the tactile, process-oriented nature of both fields. The residency appears to be global in scope, without a fixed geographic location, indicating a potentially nomadic or site-responsive structure. However, the absence of a stated deadline, fee structure, and supporting materials leaves significant gaps for prospective applicants. This lack of transparency is unusual for a residency of this nature and may reflect an early-stage announcement or an intentionally open-ended framework. Artists should proceed with the understanding that essential logistical and financial details are currently unavailable. Given the limited information, the curatorial vision remains opaque. The intersection of dance and ceramics could suggest an exploration of materiality, temporality, or the body as a site of production. Yet without explicit guidelines, applicants must infer the residency's aims. This dossier is therefore constrained to the verified facts, and artists are advised to seek clarification directly from the organization before investing time in an application.