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Finding organizations and publications.
Directory
Explore residencies, journals, presses and arts organizations worldwide.
2,881–2,928 of 11,141 profiles
Washington, United States
Worldwide
De DCR is a cultural incubator that also houses 40 permanent studios for artists and designers, including the studio of Satellietgroep, Zaal 3-laboratory for Performing Arts (formerly Zeebelt), sound studio Loos, Cloud Danslab and exhibition space Nest.
DE LICEIRAS 18 is an experimental, independent, artist-run space located in an old residential house in the historical center of Porto, Portugal. Every month we host a group of international artists forming an ever-changing, dynamic temporary art community. It is run by the non-profit cultural association Eklipsefémero - Núcleo Artístico Independente. De Liceiras 18 is a monthly-based project, open for visual artists, designers, conceptual gardeners, experimental writers, sound hunters, improvisatory singers, performers, philosophers and (...) who would like to create in an old wood house in the centre of Porto. They welcome the creatives who are enthusiastic about spending one (or more) months within an exchange-based micro-art-community - learning, teaching, discussing and breaking any preconceptions; who are not afraid to erase barriers between private and public, to live and create in the same space; who are able to take inspiration from both possibilities and impossibilities, obstacles and miracles brought about by creating in such an informal, experimental, no-budget and anti-white-box space. Every month, DL18 hosts between 4 and 7 artists with diverse backgrounds, forming an ever-changing, dynamic temporary art community in the city of Porto.
DE-CONSTRUKT develops projects with national and international artists that support the cross-pollination of ideas and experimentation among culturally diverse artists and audiences. Artists have the opportunity to produce new works individually or collaboratively, with a focus on experimentation and the encouragement to form new networks. Their interest is in the process rather than the final outcomes. DE-CONSTRUKT provides artists with a place to live, work and engage with other artists and the local community of Red Hook, Brooklyn. The loft is equipped with a photography darkroom, wet sink, modern kitchen, and lots of natural light. It also includes accessible on-street parking, access to a large studio for public events and fully furnished live/work studios. ⚠️ Residencies at DE-CONSTRUKT have been cancelled due to COVID-19 until a further notice.
New York, New York, United States
Dear Human is the visual arts and design collaborative formed by Jasna Sokolovic and Noel O’Connell in 2010. Jasna Sokolovic studied architecture at the University of Sarajevo and at the University of Belgrade in former Yugoslavia before immigrating to Canada during the war. She completed her studies in fine arts at Emily Carr University in Vancouver, British Columbia. Noel O’Connell is a graduate of the University of Wisconsin, Madison and holds an MFA from Rhode Island School of Design. He is a Fulbright scholar in art and architecture and spent six years studying and working in art restoration and ceramics in Thailand and China. Dear Human Ranch AIR is a creative space for artists, guests and friends to play with possibilities and materialize ideas. It is also an invitation to explore the ecosystem of the local meadows, forests and surrounding mountains. They welcome emerging and established artists from all disciplines to develop their projects on the ranch. Residents here can be focused on research and/or production as they so choose. All residencies are self-catered and self- directed. The Ranch gives you the chance to absorb both the natural environment and a creative atmosphere in perfect balance, to be rejuvenated and inspired without the distraction and pressures of daily life.
Decolonial Passage welcomes writing from all writers engaged in the decolonial project, regardless of the writer’s race, origin, gender, disability, or geographical location. Simultaneously, Decolonial Passage centers African,...
Canada
decomp journal is an online literary magazine that is published three times a year. They are an in-house journal for the Social Justice Institute at the University of British Columbia, and they publish prose, poetry, art, and creative...
Deep South Magazine is committed to being a forum for Southern writers and showcasing Southern literature and accepts submissions of original fiction, nonfiction, and poetry. For fiction, they do themed calls throughout the year. Poetry...
The Deering Estate preserves the 1920s era Miami estate of Charles Deering, Chicago industrialist, early preservationist, environmentalist, art collector, philanthropist and first chairman of the International Harvester Company. Nestled along the coast in South Dade, the Deering Estate is a cultural asset and historic site listed on the National Register of Historic Places. As a 21st Century museum destination for tourists and local residents, a variety of signature events, programs, tours and classes are offered throughout the year. The Deering Estate seeks to continue Charles Deering’s legacy of art patronage by supporting artists who work in a multitude of disciplines and media. Artists-in-Residence receive studio space through a competitive application process where they can pursue personal artistic projects in the visual, literary, and performing arts. Artists have access to shared meeting spaces, outdoor screened enclosures, outdoor work areas, the theatre, historic library, and can explore the eight distinct habitats with the support of the Naturalist and Interpretive staff. Non-local, traveling, out-of- state, and international artists are welcome to apply and participate in either our project or studio residencies but must find their own local accommodations, transport, and funding for supplies and expenses.
Although not always visible, the colonial past is omnipresent. This can also be said about the reverberations of colonialism that emanated from Germany into the world. Berlin wants to face its responsibility as a former colonial metropolis and capital of the German Reich. This is the reason why we have started the Dekoloniale Memory Culture in the City in January 2020 as a cultural project to critically deal with the history of colonialism and its consequences. The model project traces back to an initiative of four member organisations of the civic alliance Decolonize Berlin e.V. and the Berlin Senate Department for Culture and Europe. The Stadtmuseum Berlin Foundation could be attracted as a cooperation partner. The project is thus significantly upheld by stakeholders who for years have been committed to achieving a critical appraisal of colonialism by the city of Berlin. Dekoloniale Memory Culture in the City perceives colonialism as a system of injustice, which always met with resistance of the colonised people. The project picks up on the ever-louder demands for a consistent change of perspective in the post-colonial memory culture. Instead of colonial and colonial-racist stakeholders, from now on the victims and opponents of colonial racism and exploitation are to receive attention and appreciation. Dekoloniale Memory Culture in the City is pleased to announce the third open call for the Dekoloniale Berlin Residency 2023. We invite artists, architects, designers, directors, performers, fashion designers, writers, or urban practitioners to apply for a residency at Dekoloniale Memory Culture in the City of Berlin. Applicants are invited to uncover and transform historical colonial stratifications and dominant narratives in Berlin's public space. The theme of the collaborative exhibit 2023 »ZwischenWelten / BetweenWorlds« of the Dekoloniale exhibition team in collaboration with the district Museum Charlottenburg-Wilmersdorf in the Villa Oppenheim will also inform and inspire the interventions of the Dekoloniale artist residencies 2023: ZwischenWelten / BetweenWorlds (working title) Dekoloniale exhibition on anti-colonial networks in Berlin 1918 - 1933 The Treaty of Versailles of 1919 ended Germany's colonial rule in Africa, Asia and Oceania. In the Weimar Republic that followed, Berlin and Hamburg were able to develop into centers that were of global significance for anti-colonial discourse. Until the onset of National Socialist rule, significant migrant diasporic individuals and communities from the African, Asian, and Arab regions resided in Berlin. Coming from different colonial contexts, they became politically active, forming networks and alliances. They raised criticism of racist modes of representation, carried anti-colonial practices into the city, and from here made demands for national self-determination.
Berlin, Germany
Mexico City, Mexico
Media, United States
United States
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